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SOLO PROGRAMS
**This section is currently under construction. Will be fully updated Winter 2020. Some links in press kit may be broken while tech riders and stage plots are being finalized. Thanks for understanding!**
Leach currently offers several structured solo programs:
Synthesis, a solo recital including acoustic, electroacoustic, and theatrical works;
ELISION, a show comprised entirely of music for percussion + electronics;
Discovering Percussion, an interactive, flexible, and exploratory program with low gear needs; and
Seven Short Stories, a specialty program of percussion theatre.
Additional programs will be available in the 2021-2022 season.
Custom programs can be tailored to the artistic vision or logistical needs of a presenter.
Stage plots and tech riders are listed below for each program.
SYNTHESIS
full length solo recital with intermission
Synthesis is Leach’s solo recital program, made up of pieces representing the very best of the modern percussion repertoire. The program’s title comes from the combination of key elements within the show—some contrasting, and some complimentary—which define the performance. Percussion meets theatre, acoustic and electronic sounds come together, and serious art battles comedic shtick in a diverse, exploratory program that keeps the audience engaged from beginning to end.
Leach will speak from the stage during the first half of Synthesis, whereas the second half is presented continuously.
title of work
Tchik
Blues for Gilbert
Karnataka*
Elements
Le corps à corps
date
2006
1983
2019
2018
1978
composer
Nicolas Martynciow
Mark Glentworth
Emmanuel Séjourné
Stephen Karukas
Georges Aperghis
instrumentation
snare drum + voice
vibraphone
marimba*
setup
hand drum + theatre + voice
- intermission -
Originating Within*
63 Across 81 Down*
Trilogy
Ceci n’est pas une balle
*written for Leach
2020
2019
2000
2012
Nick Werth
Ancel Neeley
Dave Maric
Alexandre Esperet
setup + theatre*
drum set*
large setup*
body percussion + theatre*
*includes electronics
TRILOGY (I. CONCENTRICS)
by dave maric
"Impeccable, musical playing with fire and
passion! Cameron Leach is an emerging
voice in the contemporary percussion
world not to be missed!”
—Dr. Terry Longshore
Professor of Percussion
Southern Oregon University
ELISION
full length electroacoustic show with intermission
A cutting-edge program brimming with innovative sounds, ELISION takes the audience on an exhilarating journey through the sonic landscape of electroacoustic percussion music. The performance focuses on the relationship between live and recorded sounds, which interact in different ways to expand the timbral capabilities of acoustic instruments. The electronics take on many roles throughout the program, by working cooperatively with, in opposition to, or completely independent of the performer. This fluctuating duality is precisely what defines the production, presenting twists and turns through moments of musical athleticism, comedy, and repose.
Leach will speak from the stage during the first half of ELISION, whereas the second half is presented continuously.
title of work
I Leave You the Real World (I. True/False)*
Karnataka*
Broken Mirrors*
Trilogy (II. Pelogy & III. Tamboo)
Not a Haiku
date
2018
2019
2019
2000
2009
composer
David Skidmore
Emmanuel Séjourné
Vera Stanojevic
Dave Maric
Robert McClure
instrumentation
vibraphone*
marimba*
snare drum*
large setup*
setup*
- intermission -
Originating Within*
63 Across 81 Down*
Decay No. 2*
Ceci n’est pas une balle
*written for Leach
2020
2019
2017
2012
Nick Werth
Ancel Neeley
Matt Curlee
Alexandre Esperet
setup + theatre*
drum set*
large setup*
body percussion + theatre*
*includes electronics
CECI N’EST PAS UNE BALLE
by compagnie kahlua
This wonderful crowd favorite is the closer on each of Leach’s solo programs, depicting the dramatic arrival, ornery antics, and final reveal of an “invisible” bouncy ball. The piece, whose title translates to “This is not a ball,” is sure to get the audience laughing and cheering, particularly those young ones who might be in attendance!
DISCOVERING PERCUSSION
one hour interactive recital without intermission
An accessible, engaging, and bite-sized concert program, Discovering Percussion is a great first introduction to the wonderful world of percussion. This performance features works written for all of the main percussion instruments, including marimba, vibraphone, snare drum, and multi percussion setup, offering a smorgasbord of sounds for new and experienced listeners alike. Combining formal performance elements with a casual vibe, Leach interacts with the audience throughout the show, discussing the works to be performed, the instruments themselves, and fielding questions as they arise.
Discovering Percussion can be adapted for a variety of audiences (including young children) and tailored to fit a particular presenter’s vision, with substitutions or length adjustments as needed. Additional possibilities include the addition of electronics, or the curation of a specifically themed program.
Selections to be chosen from the repertoire listed below, depending on venue, audience, tour schedule, and presenter’s wishes:
title of work
Tchik
Blues for Gilbert
Immigrant Song
Elements
Over the Rainbow
Le corps à corps
Ceci n’est pas une balle
Karnataka*
I Leave You the Real World (I. True/False)
63 Across 81 Down
*written for Leach
date
2006
1983
2017
2018
2014
1978
2012
2019
2018
2019
composer
Nicolas Martynciow
Mark Glentworth
Ivan Trevino
Stephen Karukas
Harold Arlen, arr. R. Oetomo
Georges Aperghis
Alexandre Esperet
Emmanuel Séjourné
David Skidmore
Ancel Neeley
instrumentation
snare drum + voice
vibraphone
marimba
setup
marimba
hand drum + theatre + voice
body percussion + theatre*
marimba*
vibraphone*
drum set*
*includes electronics
BLUES FOR GILBERT
by mark glentworth
"A dynamic player of acclaimed virtuosity,
Leach’s activities as a soloist and mission
of creating further new percussion literature
demonstrate his dedication to the medium of
percussion performance.”
—Tim Palmer
Member, Maraca2 Percussion Duo
Founder, World Percussion Group
SEVEN SHORT STORIES
one hour percussion theatre show without intermission
Seven Short Stories is a collection of theatrical pieces for speaking/acting percussionist, each portraying different emotions, characters, and ideas for an audience-centered performance that breaks down the fourth wall. Biggie Smalls samples meet sandwich-making, a Persian hand drum tells the story of a tragic racing accident, and an "invisible” bouncy ball will make its final reveal in this eclectic program that blurs the lines between theatrical production and solo recital.
CONTENT WARNING: Some pieces on the program contain explicit language, and others touch on subject matter that may be sensitive to some viewers, including toxic masculinity, emotional abuse, and suicide. The intent of this performance is to respectfully, openly, and artistically shine a light on these topics, and never to address them in unreasonable excess.
title of work
Broken Mirrors*
Ready to Die Etudes*
Originating Within*
Before Sensation Returns*
Le corps à corps
Manifesto
Ceci n’est pas une balle
*written for Leach
date
2019
2019
2020
2019
1978
2012
2012
composer
Vera Stanojevic
Paul Pinto
Nick Werth
Linda Kernohan
Georges Aperghis
Aaron Graham
Alexandre Esperet
instrumentation
snare drum*
setup + theatre + video*
setup + theatre*
large setup
hand drum + theatre
setup*
body percussion + theatre*
*includes electronics
LE CORPS À CORPS
by georges aperghis
A dark, dramatic work for zarb and speaking/acting percussionist, Le corps à corps is a disjunct narrative depicting a tragic racing accident. Aperghis introduces dummy syllables in the Ouverture, which, through additive rhythmic processes, morph into spoken French. The story is rapidly told during Le recit, but it disappears just as quickly as it came, dissolving once more into fragmented, anxious outbursts in the piece’s final section—La lutte.